Getting to the point

Like many writers, I am deeply interested in not only what people write, but how they write. And by that I mean literally what they write with: the medium they use to get words onto paper.

Up to the early 1990s, most writers would have used a pen or, perhaps, a typewriter to express their thoughts or to craft their story. But from that point onwards, the use of a computer became a possibility for more and more people. And in the last 30 years or so, we have gone from desk-bound systems to hand-held devices via voice-recognition and stylus input. In recent years, writers have pondered (and shelled out money on!) devices as diverse as the Palm Pilot and the Psion Series 5 in search of the perfect way to write.

The creators of such technology promised us the future, gave us yet another operating system to learn and left us with one more collaboration of metal and plastic to file away in the kitchen drawer. The paperless utopia that so many spoke of never arrived. But the writer's search for the perfect method continued.

As part of my own search, I came across this article a few months ago which reappraises the role of the humble pencil. Unlike the many smart technologies which are available to the writer, the pencil is pretty much foolproof. As the writer of that article says:

The world's most-used writing implement happens to be the least expensive. 

It never crashes or dries out. It works in outer space, underwater and everywhere in between. Technical support consists of a sharpener.

Since then, I've been slightly obsessed the pencil. I've been reading numerous articles about those who regularly use them for their own writing, and have been investigating - and investing in - some of my own, including the Mitsubishi Hi-Uni and my favourite, the Tombow Mono100.

As I've spent time using them, I've found that the pencil has made a huge impact on my writing. Firstly, there is the advantage of writing by hand rather than using a keyboard and screen. There is a lot of research to show that we think more freely when we write by hand, and that the act of writing by hand forges useful links between thought and movement. 

Secondly, I find that I write more efficiently by hand. When I use a keyboard to write an article on the screen, as I'm doing now, I'm thinking as I type. I spend a lot of time deleting and rewriting sentences and even whole paragraphs. But when I write by hand, I find that I tend to form the next sentence fully in my mind before committing it to paper and, as a result, I rewrite only a handful of words. This picture of one of my recent sermons suggests that writing by pencil is still a viable option in the 21st century. I also love the way that it has a sense of personality and character.

Sermon for the 21st Sunday after Trinity, with a Mitsubishi Hi-Uni pencil, grade B

But is this just a phase in my writing? After all, I once owned a Psion Series 5 and considered it to be the solution to all my needs. (Needless to say, I no longer have it.) I guess it's possible, but when you're already using the simplest, cheapest form of writing tools, why make it any more complicated?

Proud of Pride

I don't make it to many festivals, even over the summer months. It's largely to do with the fact that I work weekends on 48 weeks of the year (people tend to be a bit upset if the Vicar doesn't turn up to church on Sundays!). But last weekend, on a day of annual leave, I went along to Pagan Pride (PP) in my home town of Nottingham.

I've been to PP once before, in 2014, so knew something of what to expect. The festival is a wonderful mixture of talks, workshops, dancing, bands and the chance to meet old friends and to make some new ones. There is also an eclectic mix of stalls selling clothes, books, jewellery and hand-crafted items ranging from musical instruments to wands.

The atmosphere at PP is very relaxed and friendly - there are folk from all sorts of spiritual paths but nobody is trying to prove a point about their own path or to convince anyone else that they should abandon theirs. Indeed, one of the talks I attended was given by Matt Arnold. Matt is a Christian minister who spoke about his journey from 'grey to deep green' and the way in which Pagan folk had both welcomed and enlightened him. The comments he received from the audience were ones of genuine interest and support. It was a wonderful thing to be part of.

Throughout the day, I was struck most strongly by the individuality of the festival-goers. It may be the clothes they wear, or the piercings and tattoos on display (lots of these!) or simply their willingness to turn up at the festival to declare their allegiance, but at Pagan Pride people seem to be free to express something of who they are. I came away from the festival feeling inspired to continue my own journey into the green, and to have a little more courage in expressing my individuality, too.

Goddess bless Pagan Pride. I'll definitely be there next year!

Walking backwards to the future

I love technology. I love to keep up-to-date with which companies are bringing out new devices, or updating their operating systems. I check out new releases of Linux distributions and have tried out literally hundreds of them on my own computer over the last few years. I also use a computer and a tablet every single day, and sometimes for four or five hours at a stretch. And as I work from home, I'm rarely out of reach of WiFi.

But more than technology, I love old technology. I adore any scene in a film where, about an hour into the movie, the main character searches out the only person in the city who can help to avert the alien threat. ('He doesn't do this sort of thing any more,' says his ex-boss at the underground government facility. 'He gave up on computers when he saw where they were leading civilization. You'll never persuade him to do it.')

When they eventually track down the guy who is their only hope, they find him keeping bees or tenderly trimming a bonsai tree. Of course, they persuade him to help, and then he begins to assemble a makeshift control centre from a Commodore 64, an Acorn A410 (which in the movie is incorrectly badged as an Apple Macintosh II) and one of those telex things where you put a telephone handset into a cradle (as seen in the film Wargames). 'I still know a trick or two,' he says, as he fires up the Commodore and begins to type, 'And these machines were built to last...'

Old technology: as I write this I am burning a couple of albums onto CD so that I can play them while I practice yoga. And to listen to them I will be using a small speaker linked to a Philips personal CD player which my sister gave me as a gift 12 years ago. Why will I be doing that? Because the CD player still works, and because my iPod can no longer hold a charge for more than about an hour and is, therefore, next to useless. And the smartphones? None of them is mine. I do have a new phone, a Sony Ericsson K501i, which was released in 2008 and which I bought last week from a local second-hand exchange store for £18. That, too, still works, and the battery life looks set to be about 7 days between charges.

I'm not sure where this mixed and contradictory approach to technology comes from, but I think there is sense of romanticism there. I simply love the idea that something built years, even decades, ago can still work and be useful today. And I cling to the idea that just because something was created in the last three months and is being sold today in a new wrapper, it doesn't mean that it does a better job than the old one, or the one before that.

Of course, I know that my personal CD player won't work for ever, though I can probably search on Ebay for a replacement. And I know that, one day, there will be no CDs available for me to burn music onto. Perhaps then I will open the windows, or take my yoga mat outside. All the music and technology in the world cannot improve on the song of the blackbird, which is here for a moment and then gone for ever.

A different season

There is something about this time of year that feels different. It's not just the onset of Christmas, nor even (for those that observe it) the preceding weeks of Advent, though it is connected to both of those seasons. I think that it's partly shaped by the change in the light (darker mornings and evenings, longer nights) and the weather (colder, wetter, greyer) - two things which I feel increasingly sensitive to. As these things change around us, I've noticed that I feel differently about certain everyday things. For example:

Music: at this time of year (it's currently mid-December) I find that I need to listen to quieter, older music. I veer towards voice-led pieces in minor keys - things that I imagine to have been originally sung in the hall of the Manor house at the edge of a deep wood, or sung around the Winter Solstice fire. Or I seek out solo voices singing lullabies which were written by moonlight on a lute. My usual playlist of 70s classic rock and progressive metal (it exists - look it up!) will not work at this time of year (except, perhaps, for a few tracks on the ever-wonderful Songs from the Wood): it's either too brash or too complex; too obvious or too new; too epic or too demanding.

Shops: a mixed blessing - at this time of year they need us, and we need them. But I sometimes find it hard to like anything they sell, or I begin to tell myself that I could make such-and-such an item myself for a fraction of the cost ('All I would need is six metres of red ribbon, four of purple, a dozen silver bells, a square metre of green felt, pine cones, holly leaves, driftwood, needles, strong thread, and an apprentice with three years' experience of theatre set design and I'd be done!'). More realistically, I find myself being drawn to things friends of mine have made with their own hands and are selling as gifts (God bless them, every one).

Work: for an Anglican priest this time of year is going to be busy: there are countless Advent and Christmas events and services, plus the preparation each once requires, to swiftly fill the diary. But there are still emails and meetings, rotas and reports, and it is these that feel the most draining, and which keep us out of step with the season. It feels that we would benefit more from being with people than from communicating at a distance; gain more from sitting together at tables than being occupied at desks. Whatever our work, could there be more giving of practical help and fewer online chores?

There seems to be something about this time of year that draws us to quieter and simpler things. Perhaps it's something to do with being in a season which throws us back onto our own resources a bit more. Or perhaps the stripped-back state of the natural world helps us to appreciate the richness of a hand-made item or the quietness of an ancient song? Or are we more inclined to invest ourselves in making and creating because it brings us back to the limits and opportunities of what and who we are as humans?